Tag Archives: Number 17
What if Netflix Ceased to Exist?
Science fiction nightmare scenario! Picture this: having already, wisely, ditched Netflix’s disc service for streaming-only, you wake up to learn that Netflix will cease operations altogether, 30 days from today. In other words, you have 30 days to watch films … Continue reading →
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Tagged Alfred Hitchcock, Andre de Toth, Angel, Apache Drums, auteurism, Bong Joon-ho, Buffy the Vampire Slayer, Caught, Charles Marquis Warren, Crime Wave, Cy Endfield, Day of the Outlaw, Dollhouse, Don Coscarelli, Doppelganger, Dr. Horrible's Sing-Along Blog, Edgar G. Ulmer, Edward L. Cahn, Felicia Day, Firefly, Frank Borzage, Frank Lovejoy, George Sherman, Gerd Oswald, Hidden Fear, Hong Sang-soo, Hugo Fregonese, Jacques Tourneur, John H. Auer, Joseph H. Lewis, Joss Whedon, Juzo Itami, Kiyoshi Kurosawa, Last of the Comanches, Lee Chang-dong, Max Ophuls, Michele Soavi, Moonrise, Mother, Nathan Fillion, Neil Patrick Harris, None Shall Escape, Number 17, Phantasm II, Pitfall, Play Dirty, Poetry, Psycho, Pulse, Raiders of the Lost Ark, Ramrod, Resident Evil, Robert Aldrich, Serenity, Stanley Kramer, Sweet Home, Tampopo, Terror in a Texas Town, The Big Combo, the Criterion Collection, The Other Love, The Power of Kangwon Province, The Sound of Fury, The Virgin Stripped Bare By Her Bachelors, Tokyo Sonata, Try and Get Me!, William Seiter
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