Tag Archives: Max Ophuls
What if Netflix Ceased to Exist?
Science fiction nightmare scenario! Picture this: having already, wisely, ditched Netflix’s disc service for streaming-only, you wake up to learn that Netflix will cease operations altogether, 30 days from today. In other words, you have 30 days to watch films … Continue reading →
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Tagged Robert Aldrich, auteurism, Crime Wave, Cy Endfield, The Sound of Fury, Try and Get Me!, Frank Lovejoy, Frank Borzage, Moonrise, Psycho, Alfred Hitchcock, Number 17, Joss Whedon, Buffy the Vampire Slayer, Angel, Firefly, Dollhouse, Dr. Horrible's Sing-Along Blog, Serenity, Nathan Fillion, Neil Patrick Harris, Felicia Day, Andre de Toth, Play Dirty, Hidden Fear, The Other Love, Day of the Outlaw, None Shall Escape, Last of the Comanches, Ramrod, Pitfall, Phantasm II, Don Coscarelli, Hong Sang-soo, Bong Joon-ho, Lee Chang-dong, Poetry, Mother, The Power of Kangwon Province, The Virgin Stripped Bare By Her Bachelors, The Big Combo, Terror in a Texas Town, Joseph H. Lewis, Edgar G. Ulmer, Doppelganger, Kiyoshi Kurosawa, Pulse, Michele Soavi, Sweet Home, Resident Evil, Tampopo, Juzo Itami, Tokyo Sonata, Raiders of the Lost Ark, Caught, Max Ophuls, Apache Drums, Hugo Fregonese, Stanley Kramer, the Criterion Collection, John H. Auer, Jacques Tourneur, George Sherman, Edward L. Cahn, William Seiter, Gerd Oswald, Charles Marquis Warren
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