Connecting cinephiles with cinema
Skip to content
  • Home
  • The Lists
  • TheFilmsaurus Recommends

Tag Archives: MASH

Robert Altman (An Introduction)

Posted on February 4, 2013 by Jaime N. Christley

Pauline Kael shimmied past saying anything nasty about Robert Altman’s Images by declaring him a one-hit-one-miss director. That may be one of the ultimate truths about his career, in that very few filmmakers of his caliber led such a charmed life, … Continue reading →

Posted in Uncategorized | Tagged 3 Women, A Prairie Home Companion, A Wedding, Alan Rudolph, auteurism, Brewster McCloud, Buffalo Bill and the Indians or Sitting Bull's History Lesson, California Split, Countdown, Fool for Love, Gosford Park, Hou Hsiao-hsien, images, Kansas City, MASH, McCabe & Mrs. Miller, Nashville, O.C. and Stiggs, Paul Thomas Anderson, Pauline Kael, Popeye, Robert Altman, Secret Honor, Short Cuts, Steven Soderbergh, That Cold Day in the Park, The Company, The Delinquents, The Hunger Games, The Long Goodbye, The Player, Thieves Like Us, Vincent & Theo | Leave a comment
  • Archives

    • May 2013
    • April 2013
    • February 2013
    • January 2013
    • December 2012
    • November 2012
    • October 2012
    • September 2012
    • December 2011
    • November 2011
    • October 2011
  • Reader Favorites

    • The Lists
    • Auteurist Guide to Netflix, or Houses Built on Shifting Sands
    • Auteurist Guide to Hulu Plus
    • 1970s
    • 1960s
  • blogroll

    • Hell On Frisco Bay
    • The Man Who Viewed Too Much
    • The Blue Vial
    • Sounds, Images
    • Shadowplay
    • elusive lucidity
    • Self-Styled Siren
    • Fred Camper
    • Cinema Eclipse
    • Classic Film and Television
    • blog . WAYS OF SEEING
    • Sergio Leone and the Infield Fly Rule
    • Coffee coffee and more coffee
    • Thanks for the Use of the Hall
    • Jonathan Rosenbaum
    • Journey by Frame
    • The Front Row
    • Critic After Dark
    • Zero for Conduct
    • The Cine File
    • If Charlie Parker Was a Gunslinger, There'd Be a Whole Lot of Dead Copycats
    • Observations on film art
    • Last Seat on the Right
    • sixmartinis and the seventh art
    • Dave Kehr
    • Only the Cinema
    • scanners
    • The Cameraman's Revenge
    • Checking On My Sausages
    • Cinemasparagus
    • Tativille
    • The Academic Hack
    • Rouge
    • The Daily Notebook
    • Vinyl is Heavy
    • Some Came Running
    • Not Just Movies
    • girish
  • theTweetsaurus

    • RT @michaloleszczyk: With A LIFE OF PI, Ang Lee has crafted a new genre: a screensaver picture. 3 weeks ago
    • When the docs try to defrib ET, beat reaction on Gertie near-identical (rhythmically) to cut to Linda Manz when [spoiler] is shot in DAYS. 1 month ago
    • Also think DAYS OF HEAVEN must've been on Spielberg's mind here. Side note: Malick & Spielberg characters often gaze skyward (or simply Up). 1 month ago
    • ET EXTRA TERRESTRIAL: POLTERGEIST, THE NIGHT OF THE HUNTER, THE RED SHOES, SUNRISE, A HARD DAY'S NIGHT, CLOSE ENCOUNTERS OF THE THIRD KIND 1 month ago
    • HIGH AND LOW 2 months ago
    • A ROOM WITH A VIEW 2 months ago
    Follow @thefilmsaurus
  • theFBsaurus

  • patterns

    Alfred Hitchcock Andre de Toth Andrei Roublev Andrei Tarkovsky auteurism Black Narcissus Burt Lancaster Chimes at Midnight Chris Marker Crime Wave Emeric Pressburger Fists in the Pocket Frank Borzage French cinema Fritz Lang Hou Hsiao-hsien Howard Hawks images Ivan's Childhood John H. Auer L'argent Marco Bellocchio Martin Scorsese Metropolis Michael Caine Michael Powell Mike Hodges Netflix Instant Nostalghia Orson Welles Paul Thomas Anderson Pulp Resident Evil Richard Linklater Robert Aldrich Robert Altman Solaris Stalker the Criterion Collection The Magnificent Ambersons The Mirror The Other Side of the Wind The Sacrifice Ulzana's Raid YouTube
Theme: Twenty Ten Blog at WordPress.com.
Follow

Get every new post delivered to your Inbox.

Join 1,520 other followers

Powered by WordPress.com